Operatica
Born and raised in the UK by a stage actress and film producer, Lord Vanger has artistic blood running in his veins. After living in France, Switzerland and England, Lord Vanger headed west for New York. Enrolled in Columbia University, Vanger earned a B.A. in English and then decided to pursue his first passion, music. Relocating to L.A. he formed B5 Atomic, a commercial music and design company with Hein Hoven (Grammy nominated producer for Sade, Stray Cats). He is credited with music production for national commercial spots, including a Superbowl spot featuring Grammy award winner Phil Collins. Vanger has also worked with the film industry as music supervisor for "Jane Doe" a film starring Calista Flockhart and Trimark’s "After the Storm" starring Benjamin Bratt and Armand Assante. A few weeks after Lord Vanger dreamt up the idea of combining opera and electronica, he went to see the cult sci-fi film "The Fifth Element" starring Bruce Willis. Halfway through the film is a scene where an opera diva, Inva Mula, brings the house down with a truly staggering performance of opera and techno. "It was like being punched in the stomach," Vanger recalls. "Someone had beaten me to it." Since then Vanger’s "Operatica "O" Vol. One", released in the fall of 2000, has become an instant classic. The lead track, "Mon Amour", on the new "Operatica-Shine" is sung by none other than that same opera diva from "The Fifth Element" herself -- Inva Mula. The question is: how did Lord Vanger come full circle to the person who had momentarily brought his whole world crashing down? After the success of "Operatica "O" - Vol. One", E-Magine Entertainment CEO Christoph Ruecker suggested that it would be interesting to add a Middle Eastern flavor to the concept of combining Electronica and Opera. He encouraged Vanger to keep pushing the boundaries in order to make this an exciting series that did not rest on its laurels. Initially, Vanger was only looking for a legitimate way to make the bridge between East and West, but then he heard "Concierto De Aranjuez" -- made famous by Miles Davis' "Sketches of Spain." This famous and beautiful melody has been recorded under many different guises and when Lord Vanger was introduced to a version called "Mon Amour" sung by French 60's pop icon, Richard Antony, he knew he had something that embraced all the elements he was looking for. "Operatica-Shine" would make the bridge from the Middle East to Europe via southern Spain," explains Vanger. Enter Inva Mula. Performing as Musetta in The New York Metropolitan Opera's production of "La Boheme", Vanger contacted her and she agreed to try a recording session. She gave a stunning performance. "It blew me away," said Lord Vanger. Inva recently starred in "La Traviata" at the grand reopening of La Scala in Milan to international acclaim. She will follow that triumph with an engagement later this year at London’s famed Covent Garden Opera House. In addition to the traditional Opera Diva, Vanger also needed to find a true Middle Eastern Diva. Lord Vanger was introduced to a singer named Shakila. "What I heard was a very haunting classical Persian folk song ("Kokab"), that seemed to fit into the ‘classical' canon of music. I had never heard anything quite as beautiful before. Even though I could not understand the words, the music had a huge impact on me and I could not stop playing the song over and over again." Shakila became the true Middle Eastern voice of "Operatica-Shine" and, in addition to "Kokab" which means, "Star" in Farsi, she also contributes another haunting classical Persian piece called "Khodaya," which loosely translates as "O Lord." Taken from the official E-Magine Music web site
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CD: Operatica - Shine[EMA 61076-2] | |||
Released 05/02 on E-Magine Music (USA). Produced, arranged, performed and programmed by Lord Vanger. Somehow "Operatica 'O' - Vol. One" has managed to slip me by to date and hence when Vol. 2, "Operatica - Shine", landed on my doorstep I was more than pleasantly surprised. The combination of opera and/or classical music with electronica is hardly a new concept, as demonstrated by Aria and Continuo in recent years, and hence I guess I was expecting a contemporary CD full of plagiarised aria's from well known operas. How far from the mark could I be? From start to end this album mesmerised me with powerful and moving pieces, featuring Lord Vangers own compositions along side his interpretations of known aria's such as Edvard Grieg's 'Solvejg's Song', Claude Bizet's 'Je Crois Entendre Encore' and Debussy's 'Passepied'. 'Mon Amour' featuring opera diva 'Inva Mula (who performed the opera/techno piece in the film "The Fifth Element") lead into Vangers title track 'Shine', and it was this that really grabbed my attention, with incredible moving vocals from the world-renowned soprano Maureen O'Flynn. But how could this fit with the Middle Eastern vocals of Shakila in the Persian folk song 'Kokab' (which means "star" in Farsi) and the haunting Persian piece 'Khodoya' (loosely translates as "O Lord"), or the haunting Turkish flute of 'Standing on the Edgo the World'? Can ambient drum and bass be fused with operatic vocals, as sung by Indian vocalist Jihae in 'Lost in Someone Else's Dream'? On paper this looks and sounds like a bad dream, but somehow it works, blending together elements of world music and electronica with opera to create a unique and beautiful composition. Thanks to Vera Sheps @ Two Sheps That Pass for this promotion CD.
Other Info:For further information on Operatica see the official E-Magine Music web site.
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